نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری روابط بینالملل دانشگاه اصفهان
2 دانشیار گروه علوم سیاسی دانشگاه اصفهان
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
In today's world, the boundary between entertainment, information, and politics is blurred by the use of the media. Hollywood cinema is one of the media that, by means of representation, blurs the boundary between simulation and reality and the result of this confusion is labeled as "the acute reality or super reality". Given this, it could be argued that Hollywood cinema and its coding domination may be the main source of acute reality for Hollywood as an efficient actor in US foreign policy has sought to redefine the concept of a new enemy after the collapse of communism. Meanwhile, after the victory of the Islamic Revolution, presenting a negative image of Islam and Iran became one of Hollywood's options in American foreign policy. The present study attempts to explain the role of Hollywood cinema in encoding and negative portrayal of Islam and Iran in the world as well as describing the gap between reality and acute reality. Hollywood's attempt to make anti-Iranian and anti-Islamic films has raised a number of questions for scholars such as "How has Hollywood cinema represented Islam and Iran and how has it made them so prominent in the world?" And what effect did this representation have on audience opinion? "The basis of this research is the 22-part "Madam Secretary," television series which has been investigated by the semiotic method of John Fisk's three-level analysis. The result of this film's analysis revolves around two themes: first we can see US efforts to encode and politically represent the Middle East countries, and later, the process of peace talks with Iran to prevent war and help global peace and security are portrayed in the series, which ultimately make the reality of the 'real thing' coded for the audience
کلیدواژهها [English]
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